Why does shakespeare use literary devices

The points in this play with Dramatic Irony are major scenes, they are extremely important to the storyline, and they add interest. Tragedy, dramatic events that lead to unfavorable effects, is the.

Examples and Definition. Dost thou lie so low? Are all thy conquests, glories, triumphs, spoils, Shrunk to this little measure? Fare thee well. Macbeth is a tragedy play written by William Shakespeare that is about a one man called Macbeth who ruins an entire country on the advice of the three witches.

Shakespeare uses a variety of literary devices such as paradox, metaphor, irony and foreshadowing to help the development of the characters in this case Macbeth. Shakespeare uses numerous types of literary techniques to make the tragic play more appealing and as a result convey the themes of the play.

In the initial acts of the play, Macbeth. Beside all of the elements above, poetry also has the other aspect. It is poetic devices. Like the other art has, poetry also has devices. These devices are used by the poet to create rhythm, improve the meaning of the poem, and build up the feeling and mood. Wary terrorist planners have tended to communicate in code or use metaphors when discussing targets, knowing they may well be intercepted.

He responded with another intense monologue , the words spilling out a thousand miles an hour. Salon Jun 11, But why do so many podcasters think an entertaining podcast is an oxymoron? The Devil might be the personification of evil but has nonetheless inspired a great deal of creativity down the ages. BBC Feb 15, Treating Shakespeare similarly means that jokes and puns become more apparent.

Hulme, F. Edward Frederick Edward. Soliloquies are often used to explain action or character. This plot point illustrates a final tool for understanding Shakespeare, what I call the green world tool. In Dream, we see the whole range of meanings that Shakespeare attaches to this green world.

It is far more than just an escape from the city. We can list a whole range of oppositions that Shakespeare suggests between the world of Athens and that of the forest: Athens is the city, the forest is nature; Athens is reason and judgment, the forest is dream and imagination; Athens is law and order, the forest is chaos and love, or at least eroticism; and Athens is the human domain, whereas the forest is the domain of nature and the supernatural.

This is where the fairies rule. The play suggests that residing in only one of these domains is harmful—reason without imagination, or law without love, is a sterile, harsh life; and letting imagination, dream, or nature run wild without restraint is a kind of madness.

How do humans interact with this fairy kingdom? As the double plot tool suggests, Shakespeare offers two levels of interaction, one by the lovers Hermia, Lysander, Helena, and Demetrius; and another by Bottom and his fellow mechanicals.

Again, the double plots mirror and comment on one another. The lovers enter the forest and experience confusion, particularly of their identities and of love. Oberon sees Helena and takes pity on her for the scornful way Demetrius rejects her.

When Lysander awakens and sees Helena, he falls madly in love with her and forgets all about Hermia. This storyline is all good comedy, the funny confusion of identity and love partners. Shakespeare then deepens the issues by using comedy to pursue the very meaning of love. He does this through the sustained motif of the eyes, of sight, seeing, and of blindness.